Édouard Manet was not immune to bad press. In 1864, a year on from scandalizing Parisian mores with his vision of bourgeoisie vice in Déjeuner sur l’Herbe (1863), his follow-up Salon entry was being ...
An elegant and affecting piece, painted on copper. [P. 119.] Columbian Museum, Head of the Mall, Boston. Boston: Printed at the Columbian Museum Press, Head of the Mall.
Some results have been hidden because they may be inaccessible to you
Show inaccessible results