Raag Bilawali (Rare Raag)Tutorial. Chalan followed by a Teentaal bandish with notation. Bilawali is a blend of Yamani Bilawal Alhaiya Bilawal Gaud Sarang Lyric from Kramik Pustak Malika, devgiri bilawal, recomposed by myself. Roose Ho Piyaa Aaj Aisi Kaa Humse Chookpari Kaahe Naa Utarko Uttar Dehi Binti Karu Karejori #bilawali #bilawalitutorial #rareraga #rareragamoumitamitra #bilawalimoumitamitra #bilawalitutorialmoumitamitra #ragatutorialseries #ragatutorialseriesmoumitamitra | Moumita Mitra
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Raag Bilawali (Rare Raag)Tutorial. Chalan followed by a Teentaal ban…
7.9K viewsMar 25, 2025
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Raag Shivranjani Tutorial. Chalan of Shuddha and Mishra Shivrajani discussed. Followed by Shivranjani in Jhaptal and same bandish in Mishra Shivranjani in Jhaptal. Till 9:23 Shivranjani Tutorial 9:24 Mishra Shivranjani Tutorial 15:47 Shivranjani Jhaptal 25:57 Mishra Shivranjani Jhaptal S R g P D S' . Vadi samvadi P S Nyaas on almost all swaras. A Kan of Shuddha Ma often used like P Mg- R MgPMg In Mishra Shivranjani almost all other swaras could be used, I have discussed their use. Only Komal Re
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Raag Shivranjani Tutorial. Chalan of Shuddha and Mishra Shivrajani di…
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Raag Megh Malhar Tutorial Discussed about 6 available variations of Megh Malhar 1. Megh 1:14 2. Pandit Bhimsen Joshi's version with Komal Ga in Arohi ang 1:43 3. Ustad Rashid Khan's Version with gmRS like Miyan Malhar 5:29 4. Ustad Amjad AIi Khan's Version with gmRS in Arohi and Miyan Malhar ang with long shuddh Dha 7:50 5. Ustad Faiyaz Khan's Version with short Shuddha Dha in nDP phrase 11:48 6. Ustad Ali Akbar Khan's Version with two nishads, komal ni in Avrohi like S' Pn P and slightly raised
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Raag Megh Malhar Tutorial Discussed about 6 available variat…
22.3K viewsMar 19, 2025
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Raag Kirwani Tutorial. Chalan of Kirwani and Mishra Kirwani have been discussed. Followed by a very popular Thumri of Ustad Bade Ghulam Ali transformed to a Kirwani Bandish in Adhya and then the original Thumri sung in Mishra Kirwani. This topic is slightly controversial as because the Thumri of Ustad Bade Ghulam Ali Khan Nain More Taras Gaye is written as Jangla Bhairavi. However I always feel it has close resemblance with Mishra Kirwani. Hence thought of using the composition for bothe Shuddha
22:25
Raag Kirwani Tutorial. Chalan of Kirwani and Mishra Kirwani have …
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Raag Paraj Tutorial. Chalan followed by an Alap and Teentaal Bandish. Aroh Avroh S G m d N S' S' N d P m P G M G r S Or ,N S G m P m d N S' S' N d P m P G M G m G r S ThaaT - Poorvi Poorvang Poorvi/KalingRa Uttarang Basant Vadi Samvadi S' P or G N Time: 4th Prahar of Night. 3-6 am Use of shuddha Ma - M is said to be either like Purvi or KaingRa Occasionally KalingRa like GM PMPM GMG used. Use of P and r in Avrohi phrases However some artists choose to use phrases like PdN or mPdN mPdP etc.. Usua
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Raag Paraj Tutorial. Chalan followed by an Alap and Teentaal Bandish. …
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Raag Mand Tutorial. Shuddh Chalan followed by addition of other swaras. A Dadra in Mishra Mand. There could be many varieties of Maand. However I don't have any knowledge knowledge them. I have just tried to portray a Generalized and common chalan of Maand. There is an aroh avroh mentioned in Kramik Pustak Malika S G R M G P M D P N D S' S' D N P D M P G M R G S However in my opinion merely this doesn't show the Raag Roop. Hence I have not discussed about it. Instead I have tried to discuss the
32:04
Raag Mand Tutorial. Shuddh Chalan followed by addition of other swar…
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Raag Chatur Kalyan Tutorial. Found from Ustad Ali Akbar Khan's notation. Raag Chalan followed by a self composed bandish in Adhya. The Raag is a blend of Hindol and Kaylan(Yaman). S G m D S' S' N D P m GR S ,N ,D R S Nyaas on S R G P Vadi Samvadi G D Chalan somewhat like S G m G P- m R S - ,N R S - ,D S G m G S - S G m D N D m- N m G - m G S. ,D G RSR ,NRGR S. S G D m P - m D N m N D P - m D S'- N R' G' R' N R' S' - N D m D m GR S GR - P GR - m D N D P - Kalyan/ Yaman Ang. Lyric of the self comp
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Raag Chatur Kalyan Tutorial. Found from Ustad Ali Akbar Khan's notat…
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Raag Bahaduri Todi Tutorial. Part 1 with the Prachalit Version 2 versio…
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Raag Amritvarshini Tutorial. Chalan followed by a self composed Tinta…
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Raag Basant . A more detailed Tutorial. Chalan followed by Differ…
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Raag Lalita Gauri Tutorial. Chalan of 4 variants. Followed by an Alaap …
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Raag Prabhat Bhairav/Prabhat Tutorial. Chalan of 2 versions, eac…
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Raag Goonkali/Gunakri/Gunakari in Bhairav Thaat Tutorial. Chalan foll…
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Raag Yaman Swar improvisation Tutorial. Many students feel lost w…
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Raag Bhupali Tutorial. Chalan followed by a Traditional bandish …
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Raag Ramkali Tutorial. Chalan followed by self composed Tintal …
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Raag Kalawati Tutorial. Chalan followed by Teentaal bandish and …
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Raag Durga Tutorial. Followed by a Rupak Bandish with notation. Tha…
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